Apo Whang-Od, at the impressive age of 106, has achieved a remarkable milestone as the oldest individual ever to grace the cover of Vogue magazine. More than just a historical icon, Whang-Od’s story is deeply interwoven with the ancient art of Filipino tattooing. Known in her native Philippines as Maria Oggay, she has dedicated her life to the traditional hand-tapping tattoo technique, known as “mambabatok,” which has been passed down through generations for over a thousand years.
Preserving Ancient Traditions in Kalinga
Residing in the secluded village of Buscalan in the northern Kalinga province, Whang-Od is recognized as the last mambabatok of her time. This ancient method involves using a bamboo stick and a thorn from a grapefruit or lemon tree, dipped in a mixture of water and charcoal, to imprint the skin with traditional designs. Historically, these tattoos were markers of significant life thresholds, signifying adulthood and valor among tribe members. For men, the tattoos symbolize their transition into formidable warriors, while for women, they represent nobility and beauty.
Despite the simplicity of her designs by modern standards, Whang-Od’s tattoos attract numerous international visitors seeking unique and authentic creations. Some of her extensive tattoos, such as those covering the chest, shoulder, and arm, can take days to complete, costing as much as a large pig or several kilograms of rice.
Vogue Philippines’ Tribute to Filipino Strength and Beauty
Vogue Philippines lauds Whang-Od for her work, which embodies the strength and beauty of the Filipino spirit. Bea Valdes, the magazine’s Editor-in-Chief, chose Whang-Od for the cover to symbolize the pinnacle of Philippine cultural heritage. According to Vogue editor Audrey Carpio, the ancient practice of batok tattooing is ensured a future through Whang-Od’s dedication to educating her descendants in the art.
Whang-Od’s commitment extends beyond preserving the technical aspects of mambabatok; she is actively shaping a burgeoning tattoo tourism industry in her community. Although modern recipients of her tattoos no longer adhere to the traditional tribal significances, they are drawn by the allure of receiving a piece of living history from the oldest mambabatok.
Overcoming Cultural Challenges and Looking Ahead
Despite facing cultural suppression during the early 20th century when the Philippines was colonized and Christianity introduced, Whang-Od continued her practice, primarily tattooing women from her tribe. Her recognition surged in 2007 when anthropologist Lars Krutak discovered her while filming for the Discovery Channel’s “Tattoo Hunters,” helping her gain international fame.
Whang-Od’s resolute spirit ensures that the mambabatok tradition will not vanish. Training only her blood relatives, she is confident about the future of this ancient art. Whang-Od believes in working as long as her health permits, famously stating, “As long as I can see clearly, I will continue to tattoo. I only stop when my eyesight is blurred.”
Apo Whang-Od’s story is not just about tattooing; it’s a testament to the resilience of cultural practices and the power of one individual to influence the preservation and recognition of their heritage. Her life and art continue to inspire and resonate with people around the world, symbolizing the enduring legacy of Filipino cultural identity.
